In the next scene, angry Bernard 1 visits Salter for the first time since his childhood while Bernard 2 is away. I say ‘on the surface’ because to me as a philosopher, the questions she asks strike me as working at a deeper existential level. Caryl Churchill’s magnificent play only lasts an hour but contains more drama, and more ideas, than most writers manage in a dozen full-length works. This leads me to my last inquiry. With Cloning, Kitty - New York Times." 27 Feb. 2009 <. “Bernard 2: what if someone else is the one, the first one, the real one…”. Salter explains that he agreed to a cloning experiment to try again at parenting another version of his son, but, unbeknownst to Salter, the doctors had unethically made several more clones. "[16][9] Arjun Neil Alim of The Independent stated that "Churchill, a political playwright par excellence, tactfully references current events. Salter: because if that’s me over there who am I? Caryl Churchill, British playwright whose work frequently dealt with feminist issues, the abuses of power, and sexual politics. The various Bernards usually wore jeans and a T-shirt, but sometimes a sweatshirt.[4]. He argues instead that twinship is “a joint enterprise which includes a sense of self and other.”. Say that everyone was willing to pay $100, it follows that “the total dollar amount that the group would be willing to pay to save one statistical life … would be $100 per person × 100,000 people, or $10 million.” Easy, right? In the 2002 production, the stage was described by one critic as a “bare blank design” with “no relation to domestic realism.” [3] The costumes of the play were as simple as the stage design. After graduation, she began to write radio plays for the BBC including The Ants (1962), Not, Not, Not, Not Enough Oxygen (1971), and … The play leaves out the debate we typically associate with cloning. aryl Churchill was the most important female playwright of the 20th century. However, Brandon praised the final scene as "brilliant" and said that one of its characters "serves as a welcome reminder that it is possible to have an ostensibly normal life", ultimately describing A Number as "one of the more intellectually vital scripts to emerge in the new century" despite shortcomings. T / F. B2 has discovered that he has a twin brother. Playwright Caryl Churchill was born on 3 September 1938 in London and grew up in the Lake District and in Montreal. Caryl Churchill addresses these issues entertainingly, and with increasing urgency in ‘A Number’. Her website is here. ‘A Number’ premiered at That Theatre Company in Copenhagen on the 21st February 2018, following a panel debate with Joshua M. Brickman, Professor of Stem Cell and Developmental Biology, Mickey Gjerris, Associate Professor in Bioethics, and Pia Søltoft, Vicar of the Marble Church (Marmorkirken) with Mike Young as moderator. [8], Steve Dinneen argued in City A.M. that the work "is remarkable in the way it so gracefully touches upon the great philosophical questions without ever feeling didactic. Later, after Bernard 1 has left, Bernard 2 returns, having met Bernard 1 in the park. The critic disputed comparisons of the broken dialogue to that of David Mamet and said that "the language here is not nearly as compelling on the stage". It does not follow the traditional beginning, middle and end structure. It seemed claustrophobic. Here a government official slowly goes mad as he keeps on meeting his exact duplicate. 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